Richard Thompson Electric Trio 13 Rivers
In 2017, Ivor Novello Award-winning and GRAMMY®Award-nominated legend Richard Thompson gave himself up to the music itself. Picking up a guitar, emotions echoed through his deft fleet-fingered fretwork, poetic songwriting, impassioned picking. Those transmissions comprise his nineteenth solo album and return to New West Records, 13 Rivers.
“I never really think about what songs mean,” he admits. “I just write them. Some of them reflect on what happened a few months ago or even a year ago. It’s a process of surveying my life and where I was at.”
In 2017, Thompson began composing ideas for what would become 13 Rivers at his California home. Off the road, he focused on writing. As a result of the defined time period, the music possessed a distinct cohesion.
“I wrote the songs as a group to hang together,” he elaborates. “They belong together in some way and seem to possess a commonality since they were written in the same time and space.”
To capture this vision, he retreated to the famed Boulevard Recording Studio in Los Angeles. Known previously as “The Producers Workshop” and once owned by Liberace and his manager, the locale served as the site for seminal classics by Steely Dan, Fleetwood Mac, Ringo Starr, and Joan Baez. It also hosted the mixing sessions for Pink Floyd’s The Wall. Notably, this marked the first time Thompson self-produced in over a decade and he opted to track analog in just ten days. Engineered by Clay Blair (The War on Drugs), usual suspects Michael Jerome [drums, percussion], Taras Prodaniuk [bass], and Bobby Eichorn [guitar] joined him.
“It’s a funky studio that was quite popular in the sixties and seventies,” he says. “It used to be Hollywood trendy, but it fell into total disrepair. It’s still got some gaps in the walls. I like studios that are honest. It’s about the décor of the sound, and there’s a specific sound to Boulevard. Clay is a Beatles nut, so I could grab a Gretsch off the wall.